There is this famous quote “The camera points both ways. In expressing the subject,

you also express yourself”. The imagery that I am most attracted to is perhaps less conventional. I do look for beauty, but not in a traditional sense. I find myself drawn

to objects that are considered mundane, or in various stages of decay, and because

of their undesirable appearances, they may not be considered as ideal subjects for photography. 

 

During the past year, I spent a lot of spare time walking and photographing the nature trails that are close to home. During my walks, I have started noticing the weed and undergrowth that are present along the trails. They receive little care and attention, yet they thrive in all conditions. When bathed in sunlight, they have this beautiful glowing presence. They look as though they are actors basking in the spotlight of a theater. I am readily drawn to their almost theatrical appearance. I therefore start making an effort

of looking out for those unsung beauty to photograph. 

 

I grew up in Hong Kong, a metropolitan city under the deep influence of the Western culture because of its colonial past. During my formative years, I was taught more of

the history of Western civilization than my Asian heritage. After moving to the United States 27 years ago, the little connection I have had to my Asian background has all

but forgotten. 

 

As I started working on this collection of images, I felt this yearning for connection to my Asian heritage. By working with subjects that are of no great importance, I wish to express the virtues of modesty, humility and resilience that are ingrained in the Chinese culture.

 

If the camera does point both ways, I can’t help but think of my inclination to cheering on the underdogs. I also feel no matter how far removed I am from my past; the essence of my heritage will forever stay with me.